Marrugeku/Tiddas at Sydney Festival
Given its delayed opening because of Covid – its ‘first Read More
Given its delayed opening because of Covid – its ‘first Read More
Who owns what in a cultural history? The question is Read More
Te-Wheke – The Adversary didn’t look ready for a fight. Read More
“An independent panel investigating the APY Art Centre Collective has Read More
Sadly, the story of institutions where First Nations culture – Read More
How do you fancy flying in an aircraft called Minyma Read More
The telling and re-telling of the Papunya Tula story ought Read More
The 24th Biennale of Sydney (in its 50th year) which Read More
Did it cross your minds that one of the factors Read More
A couple of weeks ago I was questioning the decision Read More
Given the post-Referendum efforts of the likes of Tony Abbott Read More
Mrs Marawili 1939 to 2023 & Mrs Timbery 1931 to Read More
Time to whet your appetites with news of serious exhibitions Read More
Since I first began experiencing and examining the complexity of Read More
Australia’s leading Aboriginal art festival, Tarnanthi this year includes exhibitions Read More
The Biennale of Sydney and the Fondation Cartier pour l’art Read More
I recently remarked on the passing of the Indigenous community Read More
As your regular commercial gallery has undoubtedly told you several Read More
What is surely the most diverse art award for Indigenous Read More
It seems the only people interested in the much-delayed fate Read More
The judges for the 2023 Telstra NATSIA Awards have maintained Read More
As the Aboriginal art world gathers to commemorate the dynamic Read More
The National Gallery of Australia’s Review into the APY Art Read More
The founding myths of Papunya art (and therefore of the Read More
Queensland’s Minister for the Arts, Leeanne Enoch last night announced Read More
The tendency to conflate the quite distinct Aboriginal worlds of Read More